Photoplay Magazine Article, November, 1955
Things might have been
very different. She might even not be the Piper Laurie you know, if it hadn't been
for THE MEN IN HER LIFE
BY JACK HOLLAND
Piper Laurie had her long red hair tied up neatly in a ribbon. She had just finished
recording her first song for "Ain't Misbehavin'"- which, incidentally,
is her first musical, too- and life seemed touched with happiness and magic. That
she was finally an established actress was no startling disclosure. For years, Hollywood
talent-tellers were predicting that Rosetta Jacobs, now Piper Laurie of the flower-eating
fame, was riding to stardom. The part that interested gossip gloaters was the last
comment. "I cdould never have done it alone." Who was the one? Rumors buzzed.
"I always knew it," gossips wagged, "Such a beautiful girl remaining
single? She's probably been secretly married for years." "You rarely see
her hitting the night spots," came back a second guesser. "Notice how she
stays away from column gossip?" There must be a man in Piper Laurie's life was
the final consensus of opinion. But who? Piper wasn't talking though- not until one
afternoon recently. What made her open up? Who knows, maybe the gossipers. Anyway,
this is the way Piper explains it.
"I have no idea what I'd be now if it
weren't for the various men who have done so much for me," she said, smiling
gently. Basically a shy person, Piper speaks softly, but there is about her a sparkle.
"As I look back on it now, my Uncle Morris was probably the first to help me
get my dreams into action," Piper said. "He was my father's youngest brother-
and he was the comedian of the family. Everybody used to love to have him come for
a visit. he and I were both hams- we loved being on center stage, so we used to put
on shows for the family. We'd get out the kitchen ladder and I'd stand on top of
it- using it as a stage. I'd sing and he'd tell jokes and wear funny hats. I was
five years old then. "Uncle Morris is now in New York, but he gets a big kick
out of my career. I think he was the first to guide me towards a life as a motion-picture
actress. It was about this time that I was influenced by another man, a movie star0
and I've even forgotten his name. He made a personal appearance in a theatre and
I saw him. He was the embodiment of all I hoped, deep inside, I would become someday."
In Piper's immediate family, her father naturally had great influence on her. Something
he said once to her hurt her deeply- and yet she isn't sure now if that incident
wasn't the one thing that actually started her on her career. "It all happened
when I first began studying the actress," Piper commented quietly as her mind
retraced the details of the moment. "I was taking my father's hard-earned money
and was living in my own little world of make-believe. He used to watch me and wonder
what I was coming to. It was odd to him that I should want to be an actress. Nobody
in our family ever had such inclinations. He said, 'I think you're foolish to try
to be an actresss. I don't think you have what it takes.' This hurt me terribly-
and yet it made me mad. But looking back on it, I'm not at all sure that this didn't
make me prove to father I could be a success as an actress. Before then I had been
living in a dreamworld. he woke me up fast.
"My father is the strongest
influence I've had in my life- for that one thing he said and for other reasons.
Yet, now when I think of him, I realize how little any young person is aware of what
a father teaches her. You kind of think of a father as someone who is gone from the
house all day, who comes in at night, has dinner, says a few words to you, gets his
paper, and then kisses you good night. And yet I know that all of the basic ideals
I live by stem from my father's wisdom. He is one of the most honest and straightforward
men I've ever known. I don't even remember him telling so much as a white lie. I
always try to be as truthful and as honest as he is. "My father never coddled
me or treated me like a china doll. He is a strict disciplinarian. I think his means
of discipline gave me a sense of values I would never have had otherwise. His ways
of showing me how to discipline myself have helped me to take what ever success I
may have attained and not let it throw me. Even now, if I ever get carried away,
he's there to level me off. "I had my share of spankings, but I never regretted
any. I can't ever recall once being spanked when I thought I was being unjustly punished.
"Father was very particular about my health habits, too. There was always quite
a routine before dinner. I'd come to the table, he'd inspect my hands to see if they
were clean and, if they weren't, he'd escort me into the bath room and stand over
me while I washed. He was also particular about my eating the right foods- which
has helped me to be conscious of proper diet and health even now. It wasn't that
he'd force me to eat anything. He'd kid me into eating. I remember how I detested
Brussel sprouts. One day I said to my father, "But they look just like small
cabbages- like something was wrong with them.' He laughed and said they were delicacies
because they were so small. When it came to carrots, another food I could do without,
he'd say, 'They'll keep your hair red.' I eat practically everything now.
"I
hope I have acquired most of my father's ideal habits- his sense of humor,his genuine
kindness, his great patience. I watch him today with real love. Here is a man with
a tremendous devotion to his family. I hope to be as successful in marriage as he
has been in his. "Dad has talked to me at times about what to expect from marriage.
He has set up no lofty ideals for me to follow. He has only said, "I hope you
will find someone who will be kind to you- and, above all, who will love you very
much and someone whom you will love.'"
From the time Piper started to school,
there was one pattern throughout her life- a very real fight to gain self-confidence,
to overcome her shyness. She tried to do everything well because she loved , as do
all children, approval. She has never forgotten the first complete approval she was
given. It was from the athletic director at the school she attended in Tujunga, California.
"His name was Frank," Piper began, "he was a big man, a giant of a
man. He taught me swimming- but with these lessons he also taught me the importance
of taking care of myself physically and mentally. "I can never forget him because
he was the first person to put a challenge in front of me and help me to meet it.
I learned to swim in just two days, and I can still remember how proud I was about
this, how confident I felt. I was especially proud because the other kids hadn't
learned as quickly. I was about seven at the time- and it was my first lesson in
learning how not to be afraid. Frank purposely made me swim in the water alsone and
I had absolutely no fear. "But then he taught me something else. One day I was
feeling a little cocky. He quickly assured me I was just beginning, that I didn't
know it all and that there was much to accomplish. I think from this I have learned
never to be too satisfied with anything I do, but to look ahead to the next challenge.
"There was a boy named David, too," Piper said quietly. "I can't ever
forget the day he kissed me- on the cheeck. Oh I was so upset! "I was sure I
had been ruined for life. I just ran away from him. I had never played with boys
very much and this only convinced me that I couldn't get along with them. "And
then there was another boy, whose name I don't remember, who taught me that there
is a kindness in all people. It was a little incident. It's odd I still remember
it. But I was picking some flowers outside the school garden one day and I cut my
finger. It began to bleed and this little boy came by and gave me his handkerchief.
even now I can recall that warm glow I felt inside because of this gesture.
"But
this didn't change my attitude towards boys. They still continued to be a mystery
to me- an awesome mystery. "There was one boy named Irving Lebow who was very
obvious in letting me know he loved me. We were both quite young- eleven yearrs old
to be exact. I just ignored him- and made faces at him. But he made a big thing out
of his love for me. When I had to walk up in front of the class to recite, he'd sigh
heavily and carry on in what seemed to me, a ridiculous way. I told Mother one day,
'Oh that Irving is just too silly. I can't stand him.' To which mother said with
a smile, 'But all children are silly- and they all do change.' This would not convince
me. I reiterated firmly, 'But I can't help it- he's too silly for me.'
"When
our classbooks came out- our annuals- all the kids wrote sentimental and not-so-sentimental
things in them. I can still remember what someone wrote in mine. 'If Rosetta lived
across the sea, what a great swimmer Irving would be.' All this embarrased me. And
yet I did a strange thing several times. I'd purposely walk past Irving's house on
the way to Sunday school. I could easily have avoided him, but for some reason, I
didn't want to. It intrigued me to saunter past his place. He came out one day with
a bag in his hands. Very quietly he said, 'Excuse me, Rosetta, but here are some
cookies for you.' He smiled shyly and just stared at me. I was very excited, but
I acted blase' and indifferent about it all.
"So how did Irving influence
me? Well I guess he was the first to make me aware that I could enjoy the attentions
of young men. Otherwise- why did I walk past his house? Perhaps I was also beginning
to be the perverse female. I liked the attention of young men, but I still avoided
them. When I'd go to dances I'd always stay with the girls. Oh I'd dance with a boy,
but I'd not really enjoy it. I didn't realize that men could be friends until I went
to the Schneider Dramatic Class. There I met Don Oreck and Bob Richards. We had mutual
interests, there was no romance involved and I enjoyed being with them. We'd often
go to movies together- and, of course, we were talking acting all the time. Maybe
I felt at ease with them because I knew there was no romantic attachment and, I suppose,
I just was afraid then of such serious things as love. I gained no idea about the
kind of man I'd like to marry from any of the boys in school, but I did learn something
from a businessman I met. He played piano very well- and his whole family was quite
musical. I was very impressed with him- and thought how ice it would be to be married
to a talented man." Piper laughed lightly and said, "For that matter, I'd
still like to marry a talented man."
It was another older man who gave Piper
confidence and who taught her an important lesson. He was the art teacher at the
school she attended. "This man, his name was Major something or other,"
Piper said, with a happy chuckle, "was quite a character. He taught girls judo
in-between the art classes. He was however, very artistic and was especially interested
in my work in class. He encouraged me even though I hadn't felt I was doing so well
as a painter. But it was what he said to me one day that left a lasting impression
on me. I had come into class with my long hair tied up neatly with a ribbon and I
had on one of my few good dresses. The Major told the class how nice I looked and
said that artistic people had more clothes sense. "Piper's artistic ability
shows in the way she dresses," he said. "That was the first time I was
ever complimented on my appearance- and it was something I've never forgotton. To
this day I always try to look neat and clean. I hadn't thought so much about appearance
before that."
Again there is that same pattern- the influence of older men.
It was a very elderly man, in fact, who gave Piper one of her most important lessons.
When you're young and climb up that shaky ladder of fame, there is a tendency to
become self-centered, to think only of the next big part, the next raise in salary.
Material things can become all-important. Piper has never placed undue emphasis on
possessions. She has learned instead what was important from life from the older
man, a cowboy whose name is John McNamara. "John McNamara used to be a blacksmith
on the desert," Piper remarked with honest affection. "He now works on
a guest ranch where his primary duty is taking care of horses. I was twelve when
I met him the first time. He was not a very sociable person, but he seemed to like
me and we'd go horseback riding together. We used to- and still do- ride up to the
top of the mountain. Weid talk about all kinds of things and then he'd wander off
by himself and let me sit alone. The first time we rode there, I got a terrific feeling
of contentment. It was a thrilling experience to be on top of that mountain- alone.
I felt so free. I looked at the sky, the tiny dots below which were houses. I drew
in deep breaths of the fresh air. I felt as though I weren't really alive. It was
more like floating in space. This was a new world to me and it's a world I like to
escape to even now when I get pressed in by too much tension. I learned from John
how to pace my life, how to enjoy the world in which I live and how little it takes
to have real contentment. No one can buy this kind of peace- it is free for those
who want to take it."
The experience also helped to give Piper a sense of
values- and this was something she needed once she found herself wrapped up in the
hectic whirl of a motion-picture studio. When she signed her contract at Universal-International,
many things changed for her. Here, again, was a turning point, but it was one Piper
met gracefully, primarily because of the help of a star she knew.
"I wasnt'
interested much in dating when I made my first picture," Piper commented, "but
I certainly won't forget one big date I had at the time. It was arranged partly by
the studio and was partly a personal king of thing. My date was Ronald Reagan!
"I was tremendously impressed by Ronnie. I kept saying to myself. 'I'm going
out with an actual movie star!' I was trying so hard to be very adult that night.
Ronnie and I were going to the Brown Derby for dinner where we were to have some
publicity pictures taken and then we were to go to a premiere. When we got to the
Derby, Ronnie helped me out of the car- and then, it happened. There was a partition
in the driveway which I hadn't seen. I stumbled and fell flat on my face. I tore
my stocking, gashed my knee and ruined my dress. When Ronnie helped me up, I tried
desperately to regain my composure- but I had a difficult time. I managed to get
myself repaired and then I walked into the restaurant with as much dignity as I could-
in spite of a knee that was hurting and a somewhat disheveled appearance.
"The
date was memorable for something else, though. Ronnie told me that night how foolish
it was for young starlets to be a gossip-column movie star. He reminded me that the
most important thing was to be a good actress and that there were decided advantages
to having your name in the paper all of the time. At one time I was impressed by
reading all the names in the gossip columns, so I listened to him c
arefully. I don't think I've ever forgotten what he said. I know I've never received
a part or a good review by being seen in a gossip column. Ronnie, however, wasn't
the first movie star I'd met. I knew Tony Curtis before I got into pictures. Tony
used to come by my house and he and I had a few dates. I had before assumed that
all movie people were on another plane, that they rested cozily on some unreachable
pedestal. Tony taught me not to believe all I read about stars- they they were just
human beings with problems. He was so unpretentious, so unimpressed with the progress
he had made and so genuine that when I did get into pictures. I wasn't so inclined
to view each star with that breathless wonder. I didn't endow them with custom made
halos. Through Ronnie and Tony I began my motion-picture career on a more sensible
and practical basis. I learned acting wasnt' glamour- it was hard work. And it made
no concessions to phony attitudes."
When Piper got her contract, she met
one man who not only helped to give her confidence in herself but who became her
closest friend. Leonard Goldstein died suddenly last year, but Piper will always
remember him in her heart. "I met Leonard before I signed at Universal-Internationl,"
Piper said softly. "I was testing for a part at the time and was taken in to
see Leonard, who was a producer at the studio. I was really scared. He was so gruff
and abrupt and after shaking hands with me he kept holding onto my hand. I recall
his telling me to sit down, but I couldn't sit too gracefully with him hanging onto
my hand. I finally did sit down- and then Leonard just stared at me. This made me
feel all the more nervous. Finally my agent started to laugh and so did Leonard.
It seems that the gruffness and the abrupt manner were only a pose Leonard put on.
When I left, I had to ask my agent what Leonard's name was. I was so nervous I couldn't
remember. I saw him again when I was making my second picture on the lot. A little
later, the contract players at the studio did scenes from plays as a showcase for
producers. I did a part in one of the plays and Leonard came back to see me afterwards.
He shook my hand this time and said how good I was. But it was the way he said it
that impressed me. I knew he wasn't making polite backstage talk.
"A little
while later I went on a tour and while I was away, I got a wire asking me to come
right back to test for a big picture with Tony. Leonard was to produce it. Well,
I got the part and, from the beginning, Leonard was constantly on the set bolstering
Tony and me when we needed it and giving us encouragement. RudyMate, the director,
was helpful too. One scene, my first appearance in the picture- although it was shot
last- bothered me. I didn't feel right in it and Rudy noticed how ill at ease I was,
so he asked me how I'd like to do it. I explained my idea, never thinking he'd pay
much attention. He not only listened, but he let me do the scene my way. This was
the first recognition that I have had as an actress- and it meant so much to me.
"By the time the picture was finished Leonard and I were good friends. By everything
he said- especially his criticisms- I knew he believed in me. Before I had been unsure
of myself in pictures, I was working under pressure, trying so hard to prove something.
Now, with Leonard's confidence, I began to relax and enjoy what I was doing. And
I found myself turning to him more and more for advice. One bit of advice he gave
me, though was hard to take.
"Tony and I both heard that the picture was
being sneaked one night, and naturally we wanted to go, but Leonard advised us not
to be at the theatre because of the studio's policy about stars' showing up at sneaks.
To be sure that I didn't go, he had a friend of his take me out to dinner. I was
so nervous all during dinner I could hardly eat. After the preview we went to Romanoff's
where a kind of party was given for those in the picture. There are many things Leonard
did for me- but all I can say is that I'll never again have such a wonderful friend.
No matter what I say about him now, it's not enough. It even seems trite. And yet
every day something happens and I react to it according to the lessons Leonard taught
me. How lucky I am to have known him.
"So what had Leonard taught me? I
learned so much from his wisdom. I gained strength from him- and a spiritual awakening.
He showed me the strength to be gained from a complete belief in God's power, from
the knowledge that through God all good things are possible. Leonard's faith in spiritual
matters was the simple kind. It was not dognmatic or full of platitudes. It was the
practicing kind of belief in a Power greater than oneselves. Things used to upset
me. Once I was bothered by a problem at the studio. I knew I'd have to go in to see
the head of the studio and I was so afraid to take the step. I fretted and fussed
over it for a long time. But now, I can go see anyone about any problem because,
through Leonard, I learned that with the power God has given us and with the compassion
He has for our feelings, I need have no fear of anyone- especially of myself.
"I learned, too, about show business from Leonard. I used to go to his place
every Sunday morning for "brunch" parties. Many top stars would be there,
but I'd get upset because I felt I didn't belong in such important company. I told
him one day coming back from his beach home that I didn't want to go to any more
of parties. "'But you should go,' Leonard told me. You have to meet these people
because you're in the same business now.' "'But they scare me,' I told him.
"'Then the only way to get used to them is to be with them.' he said firmly.
"And he was right. I got over this fear by forcing myself to go. Then there
was the time he said something else to me that reminded me of the comment my art
teacher had made. He was discussing young players and how wrong he felt it was for
some of them to be seen in public and at the studio not looking their best. He said
he admired me because I was well-groomed and because, above all, I had good posture.
This meant something coming from Leonard because he wasn't one to be free with his
compliments. But the biggest lesson he taught me was his death. His being gone has
underlined everything he ever said to me. Since he died I have gained a new perspective
just because I knew him. Lots of things I once thought were important are now so
unimportant I can laugh at them.
"I learned when Leonard died that when
you lose someone you loved all other things take on new meanings. Material possessions
are suddenly completely unimportant. I could have no richer treasure than that of
knowing Leonard. His death made me look into myself and try to be all the things
he believed I was."
Death taught Piper another lesson. When she was in
Korea some time back on a tour entertaining the troops, she had an experience that
has left its markon her. She sat up all night talking to a GI who was dying. The
boy actually died as she held his hand. For months Piper couldn't shake that memory.
It was a shattering thing- and yet an important lesson. "When you see someone
die, you're taken out of yourself," Piper said so quietly you could hardly hear
her. "You realize how dependent you are upon others and how much better it is
to think of what you can do for someone else than to gratify your own personal whims.
I can still see that boy's face. He knew he was dying and yet he was so grateful
to me because I sat there with him and talked to him. Grateful to me! It is I who
am grateful because I learned the true meaning of unselfishness from him. His mother
recently sent me a beautiful gift for my birthday- a set of bath towels, hand towels
and face cloths she had made herself."
The death of Leonard Goldstein and
that GI have made Piper a much more mature, thinking person. She stopped being just
a young movie actress, and she became a young woman with a purpose in life. Piper
never takes anything for granted now, and she never stops being grateful for all
that has come to her. The process of learning to believe in herself is still going
on, but she is making progress. She has found so much to strive for, so many obstacles
to hurdle, so many things to prove- and she's glad for each new challenge. Just recently
she took a big step- and another man came into her life.
"I knew I had to
sing in 'Ain't Misbehavin,'" Piper remarked. "All my life I'd wanted to
be able to sing, but I was afraid to open my mouth. I was afraid even to hum. I'd
start to sing and nothing would come out. But when I was assigned to the picture
I faced the fact that I would have to sing. I didn't even think of finding an excuse
to get out of it. I just went to Johny Scott, a vocal teacher. He was very understanding
and patient and, because of him, I was able to gain the necessary confidence and
actually to sing my own numbers in the picture. I intend to continue my studies,
too.
As you may have noted, romantic experiences have been few and far between
in Piper's life. No romance has apparently influenced her. And yet what about Dick
Contino and David Schine, with whom she has been paired in gossip columns? "Dick
did- and still does- have an influence on me, but contrary to all reports this has
been a real friendship rather than a romance," Piper remarked sincerely. "I
know that sounds trite and perhaps there will be those who won't believe it. Dick
has been important in my life for several reasons- the biggest that I was given an
opportunity to be a real friend for one of the first times in my life. When Dick
was having his troubles, it was a very gratifying and wonderful experience to feel
I was needed and that I could help. Again, it was learning the value of thinking
of someone else instead of myself. Dick has been just as good a friend to me in many
instances. After Leonard passed away, Dick was in Las Vegas playing one of the clubs,but
he immediately sent for me and my family to join him. He wanted to help me over this
rough emotional experience, to get my mind on something else. This was the kind of
gesture only a real friend would make."
Piper summed up everything with
"All these men have changed me. All are responsible for what I am as an actress
and as a person. I am so lucky that they were the kind of people they were because
otherwise I might have had influences that would have steered my life in an entirely
different direction. They actually gave me a life." THE END
The article
is accompanied by a half page black and white photo of Piper in a full dress, with
head turned and smiling at the camera- Piper Laurie sings for first time in "Ain't
Misbehavin'"; A large b&w photo of Piper and Dick Contino looking into each
other's eyes- "A real friendship rather than a romance," says Piper
of Dick Contino. Through him she learned the value of thinking of someone else-'
of having a friend in need; a small b&w photo of Piper, Ronald Reagan, and
Mrs. Reagan- Ronald Reagan's advice, at premiere of their film "Louisa"
(with his mother) helped a starry-eyed young starlet avoid one of the pitfalls of
fame in Hollywood; A small b&w photo of PL, Bob Goldstein, Leonard Goldstein,
Ann Sheridan, Clark Gable- With Bob Goldstein, Ann Sheridan, late producer Leonard
Goldstein, Gable. Leonard's understanding, wisdom played a part in Piper's growth
as a star; a small b&w photo of Tony Curtis leaning over a seated PL and
talking to her, while both are in costume- Tony Curtis' genuiness, realistic outlook,
steadied her star progress; a small b&w photo of PL and David Schine seated
at a night club table- With David Schine. Because of the others, Piper still know
"Mr. Right"; a small b&w photo of PL with some Korean troops- One
of the most important men in her life was a stranger to Piper. She met him in Korea
while entertaining the troops. It was a shattering experience. But in the months
that followed, Piper was grateful for the hard lesson she'd learned.