Movie Time Magazine Article, February, 1955
Piper Laurie's Advice Column
Do you have a question for Piper? She'll be more than happy to answer it! Most replies will be printed in Movie Time, but some of you luckier ones will receive a personal letter. Just address your questions to "Piper Laurie," care of Marcia Borie, managing editor, Movie Time, 19 W. 44th St., N.Y.C.
HI EVERYBODY!
Here I go again, being sentimental, I mean. I must use just
a bit of this space to tell you once more how grateful I am for the wonderful letters
you've sent me about this column. Many of you wrote that you wanted me to continue
telling about not only big events but about the "little things" in my life.
So that's what I'll strive to do. After all, this is meant to please and interest
you, so do keep sending me your suggestions.
The big Thing in my life since last
I wrote you has been making "Smoke Signal" for my home studio, Universal-International.
And it has been such a Big Thing that I've had no time for dates or vacations or
anything else.
You see, we made the picture away from the studio, on location
up around Moab, Utah, on the upper Colorado River, near the Colorado state line.
Scenery there is a breath-takingly beautiful and the area teems with historical interest.
These I loved. But the weather! Temperature went up to 125 degrees by mid-day almost
every day we were there. And yet I didn't mind, honestly. It's amazing how one can
acclimatize to conditions. Despite heat and dust - and what dust in that dry hot
weather - I felt wonderful. The nights cooled off and were pleasant, so sleeping
was no problem. A good thing, too, because we had to "rise and shine" at
5:30 every morning! My only problem was that the sun made me get just loads of freckles.
I think you'll notice them when you see the picture!
You might think that in
such heat we'd rest when we weren't actually working, but that wasn't the case. Dana
Andrews, Rex Reason and other men in the cast and crew organized softball games.
I was the only girl in the cast and at first they were reluctant to let me play.
I was crushed, because I'm a girl who loves sports. Finally I talked my way on a
team and everything was great after my first time at bat. Sometimes I pitched but
usually I played outfield. And I'm very happy to report that I upheld the honor of
female softball players with performance at bat or on the field
But I can't
say I'll add to the feminine glamour record with "Smoke Signal"
It's a fascinating story, set around 1875, starting in an Army outpost on the Colorado
where Indians massacred most of the people, including the commander, my father. This
occurs before the actual story starts; our tale concerns the efforts of the survivors
to escape down the river, Dana Andrew's portrays an Army deserter who had been living
with Indians for quite a while. Naturally he reforms and leads the party to safety.
And, also naturally, he and I fall in love, according to the script.
For the
sake of realism I wear a green blouse, brown riding skirt and boots and an old Army
hat. That's my costume for the entire picture, the only change being that sometimes
I don't wear the hat! This is no glamour, believe me! For one scene our boat overturns
in the rapids. Good thing I can swim fairly well! My boots, supposedly were fitted
to be water-tight, but rapids of the rushing Colorado are no respectors of Hollywood
tricks and refinements. In no time at all my boots were filled with water and dreadfully
heavy. I honestly had to struggle to reach the river bank.
For the next sequence
we were supposed to be dripping wet - having reached the river bank. But the sun
was so hot that we dried off too quickly. We had to keep going back in the river
before each "take." And when I wasn't needed for a scene I'd go dunk in
the river anyway - to keep cool. It couldn't hurt my beatup costume! Yes, it was
a rugged location, the first really rugged one I've ever been on. But I loved every
minute of it! And it started me on a new hobby, collecting rock specimens. I picked
up some fascinating ones up there and have them in my den now with other mementoes
of other trips. My favorite in my new collection has orange and bluish agate sandwiched
between granite. What wonderful things there are to find in Naturek if we look for
them.
Speaking of looking reminds me that I went searching for one thing I did
not find - uranium. It's been found around Moab, so one of the crew took along a
Geiger counter which he lent to me. I used it several times between scenes, but never
a buzz did I get out of it. I'd really love to go back to Moab again, to collect
more rocks and also to climb up to the Indian caves in the cliffs near there, which
I didn't have nearly enough time to try.
I remember confessing in my first column
that when I was younger I was chronic day-dreamer. One of my consistent dreams was
that I'd become a world traveler-explorer-archeologist. I admit I still like the
idea. I adore travel and I've been very lucky in that my work has afforded me the
opportunity to travel. I'd still love to explore; those caves seemed like such a
challenge.
You know, I hope I do many more pictures with Jerry Hopper, our director
on "Smoke Signal." He uses such fascinating locales - he also directed
"Secret of the Incas" which was made in the Andes in South America. If
he does one in Africa, that's for me!
Of course there are some disadvantages
to locations, other than getting freckles. For example, it took me a week and a half
to get a telephone call through to my mother in Los Angeles! Whenever I wasn't busy,
the phone circuits were. And evenings I couldn't get a call through either. Fortunately
Mother isn't the worrying type. But then, it's possible to have phone problems right
in town. My sister Sherrye and her husband have moved into a new home in Lakewood,
a suburb of Los Angeles, and I went to visit them on my first week-end after returning
from Utah. They haven't been able to get a phone in yet, because of heavy demand
in their new neighborhood. I had to call Mother about something important, so walked
eight long blocks to the nearest phone booth. An guess what? Big outdoors girl Piper,
who had been dumped into the Colorado, who had trudged around in heavy boots over
rough terrain in sizzling weather - that same Piper can't take it in the city. I
wore a big blister on my heel walking eight city blocks!
Because I was away so
long I've not seen many friends here in town, so I have no news for you about them.
But I did hear from Rock Hudson who had been over in Ireland making "Captain
Lightfoot." Rock is really good about writing letters and they are breezy and
interesting, just like his conversation. One thing he told me that should interest
you - he had to learn an Irish folk dance for the picture. He promised to teach it
to me on his return. I hope he does. Rock is an excellent dancer.
Now I'd like
to answer some questions which many, many of you have asked in your letters. Some
of you have written "I am 17 (or 18 or 19) and madly in love. I want to get
married but my parents say I am too young. What do you think? And others of have
asked me bluntly, "What's wrong, Piper? Now you're 22. Why aren't you married
yet?
First of all, I can't possibly tell you whether or not you are ready for
marriage, whatever your age might be. That depends upon the individuals involved.
Authorities on marriage problems say that "marriage is for adults only"
- persons who are adult emotionally and mentally, not merely in calendar years. Some
girls are adults at 16, but most, I believe, need more years, more experience in
everyday living before they are ready to assume the responsibilities of marriage,
even though they may feel they are completely, overwhelmingly in love.
Many
of you say "I'm so in love and if I don't marry Jim (or John or Dick) now I'll
lose my chance and I know I'll never be in love like this again." Well, I don't
think that is necessarily true. Poets and songwriters glorify "one love in a
lifetime," but in real life I've known many girls who did not marry their First
Great Love, who later married someone else - and very happily. They have said that
their first choices would have been great mistakes - that they were too young and
did not know their own minds.
How can I, a total stranger, tell by reading a
letter from you whether or not you are ready for marriage? You may think your parents
are treating you "like children," in opposing a marriage. Yet they know
you much better than I. On the other hand, it's natural for parents to try to "protect"
their daughters; understandably, they are reluctant to have their girls marry too
young. All these factors should be taken into consideration.
And, do consider
them - along with the other important factors - long and carefully. Even though all
your friends may be marrying young, don't you be a sheep and follow, marrying hastily,
just because "everybody's doing it." Broken marriages are never anything
but tragic.
And that's why I have not married yet. I want to be very sure. I
am a romantic and certainly want someday to get married and have children. I expect
to be completely, overwhelmingly in love when I marry. What girl doesn't? But I'm
not in a hurry to marry, and I don't think I've met the right man yet -- or if I
have met him, I don't know him well enough to recognise him as my future husband.
I want to know a man well - I think a year's courtship would be about right - before
I decide he's the right husband for me, or that I'm the right wife for him!
I
don't believe there is any such thing as the "right" age for a girl to
marry; it depends on the girl, her maturity and whether or not she has met the right
man. And I certainly don't think that a girl is an "old maid" at 22! How
Victorian can you get? Does this answer your questions?
Thanks a million again
for your letters; do keep sending them. And here's my very best wish to you for 1955
- Keep healthy and happy!
Yours,
PIPER LAURIE