Silver Screen Magazine Article, February, 1958
CLAIRE BOOM- British, but not teddibly
Claire is a lady with a delicate
air, fragile and lovely as English bone china, but gayer than an American ice cream
parlor By HELEN LOUISE WALKER
Hollywood, as everyone knows, loves an enigma. Especially a beautiful, brown-haired,
brown-eyed, young and slim enigma with a sof and lovely voice. Our newest one is
Claire Bloom, the British girl with the distinguished acting career behind her who,
quietly and without fireworks, stepped into a starring role in "The Brothers
Karamozov" sought by nearly every other actress in Hollywood.
Mostly,
Hollywood remembered her as the girl who played with Charles Chaplin in "Limelight,"
which gave her a vast eamount of publicity- and added to her mystery. Otherwise,
she seemed to have gained fame in a number of Shakespearean roles, especially as
one of the loveliest of all Juliets with the Old Vic Company in England. Hollywood
was a little bit in awe of her. "She'll be terribly British," I suppose,
was one opinion. "Terribly highbrow!" was another.
She isn't. Though
she was born in London, she has lived in many parts of the world, as her fathre's
business kept the family on the move. She even attended schools in America for several
years when she was very young. And far from being solely a Shakespearian actress,
she has appeared in many modern works. She is young, gay and exquisite to look at...and
she has a mind of her own. She lives alone a in a smart little apartment, goes out
with sophisticated men, like Sydney Chaplin, maintains that she cannot cook, and
despite what she says about not being "chic," she is considered one of
Hollywood's best dressed women.
When MGM announced Claire for "The Brothers
Karamozov," the columnists immediatley converged, of course, and came up
with some surprising conclusions about her. She was, they said, "aloof, withdrawn,
moody... a dedicated Shakespearean actress, a true artist, interested in nothing
but her work." They couldn't have been more wrong and they couldn't have annoyed
Miss Bloom more. Basically she is a healthy, forthright young girl, who is interested
most of all in being a complete human being, a girl who knows what she thinks- and
is willing to speak her mind. Finding her in this mood, we volunteered to help set
the record straight on matters in which she feels she has been misunderstood. Here
is the direct transcript of our interview:
Somehow has quoted you as saying
that you think Hollywood people are "superficial" and a little bit "shabby".
Is that true?
Her brown eyes were flashing as she instantly rejoined , "How
dare anyone say I said such a thing? It's an absolute lie. The people I have
met in Hollywood are completely sincere in their interest in their work, intense
in their desire to improve. It isn't all tinsel and glamour here, believe me. The
very young actors, especially, are almost suffocatinly intense about their work."
She laughed a little. "I will admit, however, that I think a lot of Hollywood
peple overdo this preoccupation with acting or whatever they are doing in pictures.
When they get together they can't talk anything but shop and, frankly, that gets
a bit boring. "Acting can not be one's whole life- or one could not
be a very good actor. That's why I was so disappointed with the columnist who said
I was interested in nothing but my work. I can't stand that sort of story about me!
I am interested in scores of things.
"You have to be a whole person. You
have to live and love and suffer and rejoice. To say an actress is interested only
in her work, is to make her a sort of cipher. I do not wish to be a cipher!"
Is it true that you think Hollywood peple are overly career-conscious"?
"YES, I think they are, rather. At parties, for instance, they divide into groups.
The men who are interested in the same branch of the film industry gather in one
corner and talk about their special problesm. Another group in a different corner
is discussing a different problem. The women sort of coagulate across the room and
I think they mostly talk about clothes. "It is difficult ot get to know anyone
outside your special group and I think that is a pity. So many people with so much
to offer..."
Which brings us to the question of how do you feel about
the practice of people dating, being seen together at parties and premiers and in
smart restaurants for the sake of publicity? It is a general practice in Hollywood,
you know.
"I think it is an appalling idea. What kind of an eving can
it possibly be when two people go to a theatre or a party, knowing they them must
do it to be photgraphed together, to get their names in the papers? I simply
can't think of anything dismal for both of them. And they are supposed to look as
if they are enjoying themselves! Yet I know it is often done and I am willing to
admit that for the very young, just-beginning actors it may sometimes be useful."
When Claire talks about "young, just-beginning actors," she sounds positively
maternal. She, herself, is in her early twenties. Yet she has been a distinguished
actress since she was in her early teens. So perhaps she has that right. She went
on, "At the studios and on the sets everything is entirely different. People
are working together and there is a certaom cameraderie. We have a saying in the
theatre that 'Dr. Greasepaint' can cure anything. It means simply that no matter
how you feel once you get your make-up on, everything else disappears and you just
get on with the show."
How about the mysterious romance of which we hear
rumors?
The lovely face clouded and the brown eyes became opaque. "If
there were a romance in my life, I should certainly not tell anyone. There are some
things which belong to one's self. It's like big gaudy weddings. How awful! To parade
one's most precious moments in the glare of lights and newspaper reporters. No. When
I have a romance or a wedding it will be strictly in private."
How do
you think American men compare with Europeans as escorts and as husband material?
"Hmmm-mm. I haven't been out with a great many American men but the ones who
have taken me here and there have been nice. Still, I think I prefer the Europeans.
They seem to have the knack of making you feel more feminine, somehow. They take
more care of you and fuss over you and make you feel pampered and special. American
men seem so casual, so...what do you call it?...'palsy-walsy'.
"As for husbands,
it's true, I think that americans are very generous and thoughtful of their wives
and I admire them for it. They even help with the children. You see men, right here
in Hollywood, taking the babies out of their prams. A man in Europe would be embarrased
to be seen doing that. But in Europe the man is the head of the house and there is
no doubt about it. He makes the decisions about money, about how the children shall
be brought up, about social obligations...everytning. I think I like it that way.
In Hollywood, the women seem much stronger than the men, somehow. The wives seem
to make the decisions, seem to plan the budgets, seem to manage the households. I
just don't know whether or not I could be comfortable under that sort of domestic
arrangement!"
Do you find that Hollywood is "name-conscious"
or "career-conscious"?
"Oh, yes indeed!" But aren't people
everywhere? Here you go to rent an apartment and the owner tells you hat so-and-so's
(a screen name) mother lives here. That seems to make it more desirable and more
expensive. You go into a shop to buy a sweater or something. They are cool and noncommittal.
But the moment you order something and give your name or sign a check and they realize
that you are in pictures...everything is changed. They gush over you no end and bring
out scores of expensive items for you to look at. You can hardly get away from them.
Of course, the same thing is true in England of people with titles. It simply happens
that picture stars are the aristocracy in Hollywood as titled people are over there.
I guess it's a natural reaction."
Is it true that you think Hollywood
women "overdress"?
"Yes, I think they sometimes do at parties.
But I can understand why they do. In Hollywood, women ordinarily wear slacks and
sweaters all day if they are not actually in costume and make-up on the set. Hollywood
is the most casual town, dress-wise, in the world. So when they do dress, it is so
much fun for them theat they go all out wiith the great great frou-frou skirts and
the jewels. It's rather gay, at that. And why not? But it was rather a treat recently
to go to San Francisco where chic women know about tailored suits and the classic
'little black dress.'" Claire broke off with a giggle.
"Y'know, I have
never been 'chic' in my whole life! I can wear gloves and carry a bag but I simply
can't wear hats. I look horrible in a hat and how can you be chic without
one? I've owned only two of the things in my life...and I didn't wear those. I wear
mostly shirt dresses in the daytime and for evenings I like black or green or red...clear
colors. Blue depresses me terribly. "And," she sighed, "I do love
emeralds. I like beautiful antique jewelry, too, even if it isn't very valuable.
Often it is interesting. And I have a real passion for blue-gray pearls."
Because Claire is British and because she earned her first fame in Shakespearian
productions, she finds herself a bit hemmed in sometimes...mentally. She can be annoyed
about this, too. "People as me, 'Do you always have tea in the afternoon? .,Actually,
I drink coffee all day long every day. But what is this tea bit? And what is it supposed
to mean? We aren't slaves to tea! And then there are the people who ask, 'are you
a devoted member of the Hollywood British Colony?" That infuriates me. I certainly
am not a member of any such thing, although I believe there are a few people
in Hollywood who cling together simply because they happen to be British.
"That
I cannot understand. I hate cliques of any kind. I dislike and distrust 'nationalism.'
How silly to pretend to have a bond with someone simply because he happened to be
born on the same island that you were. I consider this a rather silly form of snobbery."
She seemed to be thinking. Then she came back to the subject of ambition. "It
can destroy you, you know." she concluded. "I think it can especially destroy
women. If you have that cloying ambition which rules out everything else in life,
then you aren't anything at all. You aren't even a good actress! People keep asking
me if I would give up acting for marriage and children. Yes, I would. It would be
a terrible wrench and I hope that I shall never have to make that choice. I should
look long and hard at the man in my life and at what his work meant to him. If his
work seemed important to him, then I shouldn't hesitate a moment. After all, being
a person, just plain living, is much more important to a woman than any career can
possibly be." END
The article is accompanied by a full page black
and white photo of Claire from waist up holding some long stemmed flowers, with short
dark hair; A fifth page black and white photo of clair at a soda barmixing a drink
while the bar tender looks over her shoulder- "ACTING can not be
one's whole life," declares Claire Bloom. "I am interested in scores of
things." That's British for enjoying a real full life.; ;A full page black and
white photo of Claire leaning back against a sofa pillow while reading from a script-
"I THINK I prefer European men," says Claire. 'They fuss over you
and make you feel pampered. American men seem so casual."; A half page black
and white photo of Claire holding a script while seated on a sofa, but looking at
the camera- FAMOUS first in Shakespearean roles Claire was signed by MGM and
brought to Hollywood to star in "The Brothers Karamazov."; A ninth
page black and white photo of Claire looking over an iron railing on a stairway-
TO DATE just for the sake of publicity is something that really appalls Claire
Bloom.